In a world where there are thousands of horror movies to choose from, four men stand up for those that MUST be seen. They have THE HORROR VISION. Your hosts Shawn Baker, Chris Saunders, Anthony Guerra & Ray Larragoitiy meet regularly at an undisclosed underground bunker and discuss all things horror!
While the smart people in the world remain sheltered-in-place, Chris, Ray, and Shawn hold their first remote meeting to help give you recommendations for what to watch and read while we’re all trying to Flatten the Curve! Plus – a brief remembrance of Stuart Gordon and the films by him we love!
This episode we watch and react to Jon Wright’s delightful 2012 Horror/Comedy Grabbers, an Irish monster movie with a beautiful setting and a drunken cast. Our Classic Corner pick is Stuart Gordon’s Re-Animator and we don’t stop there! Locke and Key’s premiere on Netflix, Dale Fabrigar’s D-Railed, Osgood Perkins’ Gretel and Hansel, Shudder’s The Marshes, American Horror Story, David Cronenberg’s debut novel Consumed, and Vault Comics knock-out horror titles The Plot and Black Stars Above. Oh, and there’s quite a bit more where those came from. Su Nioj!
Yes, Shawn loved Underwater so much that he invited his fellow fiends from The Horror Vision to go out and see it in the theatre. Here’s our SPOILER HEAVY discussion, because there’s a lot to discuss! Also, the fine gents from Beyondfest hosted 1993’s Freaked played at the Egyptian Theatre and Shawn was there! A full account of the flick and all the wonderful fixings that accompanied this historic screening!
We’re back with a double-sized mutha-f*&ka of an episode! Tori, Anthony, Ray, and Shawn watch and review Jaron Henrie-McCrea’s WONDERFUL The Gateway (aka Curtain), which is streaming on Prime, Tubi, and Vudu for free and everyone should watch. Then we go into our “What the hell did we watch?” roundtable where topics of conversation include but are not limited to Tori’s review of Neil Marshal’s Hellboy, Anthony’s review of Blumhouse’s Black Christmas, Shawn’s review of Antrum: The Deadliest Film Ever Made, and Ray’s analysis of Cutting Class. Yes, that Cutting Class. After that, we have Tobe Hooper’s 1982 masterpiece Poltergeist as our Classic Corner pick, and then we take turns giving you our favorite Horror Films of 2019, and the decade! That’s right folks – a new decade is upon us!
In this episode, we gather to watch and discuss James Gunn’s 2006 slime-encrusted masterpiece, Slither. Ray was a bit concerned this one would be too gross for him. Was he right? Click play and find out.
The discussion also includes but is not limited to: Anthony’s return to Clive Barker’s Nightbreed, Shawn’s final verdict on AHS 1984, Tori’s reaction to Jennifer Kent’s Babadook follow-up The Nightengale, Ray’s theatrical screening of Robert Eggers’ The Lighthouse.
Oh yeah, and our Classic Corner pick this episode is none other than Stanley Kubrick’s The Shining!
No, we do not talk about Frankenstein in this episode. This is the “Frankenstein” episode because due to faulty batteries and an increasing amount of Octoberfest beer, we had to record this one three times, well into the wee hours of the morning. This one is a ‘slow burn,’ but the conversation meanders into some, frankly, pretty cool places, so strap in for Chris and Tori’s reaction to Lupita Nyong’o and Josh Gad in Little Monsters, Ray’s first encounter with the convoluted masterpiece that is Lamberto Bava’s Demons series, Gaspar Noé’s Climax, AHS: 1984 and Apocalypse, Chillerama, and, oh yeah, how Nubbins from Texas Chainsaw 2 recently ran afoul of TSA security! All that, and a whole lot more.
Holy smokes – Shawn just returned from the Screamfest Premiere of Jen and Sylvia Soska’s remake of David Cronenberg’s Rabid and he is foaming at the f*&king mouth for it. Why? Listen to this under ten-minute quick take and find out why you need to get infected ASAP!
Pardon the free-form feel of this quick episode, but it’s late and we’ve just arrived home after the sensory overload experience that is Joe Begos’ BLISS! More on that in a moment, though, as Shawn and Ray give you a quick recap of our Beyondfest experiences for the week. We start with a recap of Joe Bob Brigg’s How Rednecks Saved Hollywood – definitely not horror, but when a two-and-a-half-hour lecture about where Rednecks come from and how they eventually came to define Hollywood is this good AND it’s presented by the premiere Horror Host of our era, you’re damn right we’re talking about it on our podcast! Follow that with a screening of the newly re-gorified cut of Tammy and the T-Rex and, well, that’s the best Monday night we’ve had in quite some time. Then, as mentioned above, shortly before recording this we attended a Double Feature of Joe Begos’ two new films, the psycho-delic vampire freakout Bliss, and the all-star siege horror of VFW and, well, are you starting to see why we love Beyondfest so much?
SPOILER FREE REVIEW: It’s the most wonderful time of the year as BeyondFest 2019 goes into full swing! Shawn flies solo on this quick take review of Richard Stanley’s new film, The Color Out of Space. H.P. Lovecraft adaptations are pretty damn tricky, but Mr. Stanley nails it. Find out why!
And there’s not a trailer yet, but being that Joe Begos’ VFW recently premiered at Fantastic Fest alongside Bliss, we may have two Begos flicks to look forward to before the year’s out, and that’s good news to us!
Also, there’s Richard Stanley’s The Color Out of Space, the new Benson and Moorehead Synchronic, and honestly, probably a few more we’re blanking on at the moment.
Originally published in the Spring of 2018 as an Amazon exclusive, Horror Vision founder and co-host Shawn C. Baker’s break-out collection of short stories makes a new mark as the first Literary work published under the Horror Vision Press imprint. 7 Tales to chill your blood:
Scare Me: At a Hollywood movie premiere, Apple and Lucas discover a new app marketed toward enhancing the experience of upcoming horror film Scare Me. The app claims it can blur the lines of reality that separate the viewer from the film. Sounds cutting edge and cool, but can it really be a good idea to inhabit a horror flick’s reality? Probably not.
The Apartment: Upon returning to his home town, Devlin’s former bandmate Cole drops a bomb: the song they wrote and performed as an invocation to the Hebrew Angel of Terror? Not only did it work, but they didn’t complete their banishing ritual.
In His Arms, She Felt Loved: Vicki and Addison’s marriage has devolved to a violent charade, but when she kills him in self-defense, Vicki finds her problems are only beginning.
The Midnight Tree: A barback on Chicago’s southside searches for an elusive nightclub that has a long, infamous history.
Pentagram Girls: After his divorce, Gary discovers dating apps. Be careful Gary, you never know who you’ll meet online.
1422 Euclid: Sex addiction is a terrible thing. What’s worse are the creatures that feed on the addict’s pain.
A Collection of Desires: The couple that kills together stays together, right? Well, when Mark and April decide to murder her landlord, things go kind of awry…
The Horror genre is very important us here at The Horror Vision, but why? Well, this episode we spend a good chunk of time introducing ourselves, briefly summing up why and how we love Horror so much. After that, we watch Matthew Holness’ Possum. In between, topics of discussion include but are not limited to Tori’s obsession with Luca Guadagnino’s 2018 Suspiria remake/reimagining, remakes in general, and Stranger Things 3.
As has become their custom, Tori, Ray, Anthony, and Shawn gather on a Saturday night to talk about all the horror flicks they’ve watched since the last episode, then round the night out with a viewing of and reaction to Mike Mendez’s 2000 film The Convent. Other topics of discussion include The Nest, Pledge, Border, Sam Was Here, The Wind, and The Chilling Adventures of Sabrina, Season 1 part 2. Also, Anthony loves the new Mortal Combat game and Shawn is excited as all hell that HULU recently announced optioning author Nathan Ballingrud’s first book of short stories, North American Lake Monsters!
SPOILERS!!! Anthony, Shawn, Chris, and Suzy take in the first showing of Kevin Kölsch and Dennis Widmyer’s adaptation of Stephen King’s classic horror novel Pet Sematary at their local theatre and have some pretty mixed reactions. Hear them unpack what they saw directly after they saw it, and try to come to terms with the pros and cons.
While Chris is on tour in Europe with Rezurex, Ray, Anthony, and Shawn get together post-Us and watch the recently released Book of Monsters! Writer Paul Butler, Director Stewart Sparke, and Cinematographer Hamish Saks bring a fun, practical effects-laden story about Sophie, a teenage girl whose 18th birthday becomes a bloodbath thanks to an ancient book of, well, Monsters! Plus, we talk about all the great, and not so great flicks we’ve watched since the last episode, including but not limited to Critters: The New Binge and De Palma!
Anthony, Ray, and Shawn kick off their celebration of Women in Horror month with Jen and Syliva Soska’s American Mary. The body horror is in full effect as we, ahem, dissect this modern-day classic that stars the inimitable Katharine Isabelle, Tristan Rick, and Antonio Cupo.