Jon Wright’s Grabbers!

This episode we watch and react to Jon Wright’s delightful 2012 Horror/Comedy Grabbers, an Irish monster movie with a beautiful setting and a drunken cast. Our Classic Corner pick is Stuart Gordon’s Re-Animator and we don’t stop there! Locke and Key’s premiere on Netflix, Dale Fabrigar’s D-Railed, Osgood Perkins’ Gretel and Hansel, Shudder’s The Marshes, American Horror Story, David Cronenberg’s debut novel Consumed, and Vault Comics knock-out horror titles The Plot and Black Stars Above. Oh, and there’s quite a bit more where those came from. Su Nioj!

Jaron Henrie-McCrea’s The Gateway, plus, our Best of 2019 and the Decade!!!

We’re back with a double-sized mutha-f*&ka of an episode! Tori, Anthony, Ray, and Shawn watch and review Jaron Henrie-McCrea’s WONDERFUL The Gateway (aka Curtain), which is streaming on Prime, Tubi, and Vudu for free and everyone should watch. Then we go into our “What the hell did we watch?” roundtable where topics of conversation include but are not limited to Tori’s review of Neil Marshal’s Hellboy, Anthony’s review of Blumhouse’s Black Christmas, Shawn’s review of Antrum: The Deadliest Film Ever Made, and Ray’s analysis of Cutting Class. Yes, that Cutting Class. After that, we have Tobe Hooper’s 1982 masterpiece¬†Poltergeist as our Classic Corner pick, and then we take turns giving you our favorite Horror Films of 2019, and the decade! That’s right folks – a new decade is upon us!

 

Doctor Sleep, Mary, True Blood and much, much more!

This episode we do things a bit different. First, we begin fresh from a group viewing of Michael Goi’s Mary, starring Gary Oldman and Emily Mortimor. Shawn discusses his reaction to Mike Flanagan’s sequel to The Shining, Doctor Sleep. From there we begin a new segment, The Horror Vision’s Classic Corner, with a discussion of George A. Romero’s Night of the Living Dead. Anthony delves into his October-long rewatch of all seven seasons of HBO’s True Blood, and Ray and Shawn’s recent explorations of genre films, including but not limited to, Haunt, the Christopher Smith’s Creep, Beyond the Gates, and as the headline says, much, much more!