Texas Chainsaw Massacre 2022!!!

We discuss the ups and downs of Fede Alvarez and David Blue Garcia’s new Texas Chainsaw Massacre from Netflix. Also, Classic Corner returns as a regular feature and we kick it off with 1960’s Eyes Without a Face. From there, it’s Image Comics’ Infidel, Vinegar Syndrome’s release of Beyond Dream’s Door, and Adam Ellis’ Dear David.

Come True, Wrong Turn & Stay Out of the F*&king Attic!

We review a bunch of new stuff, including Anthony Scott Burns’ new film, Come True, the Wrong Turn re-boot, and Jerren Lauder’s Stay Out of the F*&king Attic. Plus, Lucky, The Craft: Legacy, Anything for Jackson, and tips on how to overcome streaming’s Paradox of Choice!

Cineray: Slasher Fundamentals.

Class is in sessions, fiends! All right, today I am recommending a double feature of foundational horror. Horror, like any other film genre, becomes more entertaining when you know its history. For one, the work that became the foundational building blocks are usually fantastic movies in their own right and are still as entertaining now as they were when they were first released. Knowing these historically significant films can enhance the viewing of later entries because they typically reference them. For today I have picked two films that were the building blocks for the slasher genre. They also have their genesis in the true-life story of the notorious serial killer Ed Gein. Today’s Cineray double feature is Psycho, directed by Alfred Hitchcock, and The Texas Chainsaw Massacre, directed by Tobe Hooper. 

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What We’re Watching

Ray discusses Tobe Hooper’s 80s Space-Vampire movie Lifeforce as a homage to Hammer Horror by way of Twins of Evil. Tori has an awesome theory that Pyscho Goreman exists in the same world as another film we love, and Shawn sings the praises of Alex de la Iglesia’s recently finished HBO opus 30 Coins! Plus, The Love Witch, the new Mortal Combat trailer, and all the stuff in 2021 we’re waiting for!

The Serial Killer Cineray

All right, fiends, let’s get disturbed! I tend to build my double features based around my interests and what I find entertaining, but honestly, that can be short-sighted. I have long championed the opinion that just because a movie or genre is not my thing does not mean it is not good or worth a person’s time. Everyone has a right to their own opinions and tastes, and with that in mind, today’s double feature is one I have watched but don’t think I would put myself through again. Today’s territory is serial killers, and the movies are Random Acts of Violence and Found

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