Jaron Henrie-McCrea’s The Gateway, plus, our Best of 2019 and the Decade!!!

We’re back with a double-sized mutha-f*&ka of an episode! Tori, Anthony, Ray, and Shawn watch and review Jaron Henrie-McCrea’s WONDERFUL The Gateway (aka Curtain), which is streaming on Prime, Tubi, and Vudu for free and everyone should watch. Then we go into our “What the hell did we watch?” roundtable where topics of conversation include but are not limited to Tori’s review of Neil Marshal’s Hellboy, Anthony’s review of Blumhouse’s Black Christmas, Shawn’s review of Antrum: The Deadliest Film Ever Made, and Ray’s analysis of Cutting Class. Yes, that Cutting Class. After that, we have Tobe Hooper’s 1982 masterpiece Poltergeist as our Classic Corner pick, and then we take turns giving you our favorite Horror Films of 2019, and the decade! That’s right folks – a new decade is upon us!

 

Getting to Know Your Hosts and Possum!

The Horror genre is very important us here at The Horror Vision,  but why? Well, this episode we spend a good chunk of time introducing ourselves, briefly summing up why and how we love Horror so much. After that, we watch Matthew Holness’ Possum. In between, topics of discussion include but are not limited to Tori’s obsession with Luca Guadagnino’s 2018 Suspiria remake/reimagining, remakes in general, and Stranger Things 3.

Pet Sematary! SPOILERS!!!

SPOILERS!!! Anthony, Shawn, Chris, and Suzy take in the first showing of Kevin Kölsch and Dennis Widmyer’s adaptation of Stephen King’s classic horror novel Pet Sematary at their local theatre and have some pretty mixed reactions. Hear them unpack what they saw directly after they saw it, and try to come to terms with the pros and cons.

Episode 3: Suspiria

A few weeks later than planned, but Anthony, Ray, and Shawn finally get a chance to tell you what they thought of Luca Guadagnino’s remake of Dario Argento’s 1977 seminal horror classic Suspiria. Heavy spoilers on that one.  Also discussed, Netflix’s The Chilling Adventures of Sabrina, Graham Reznick’s Dead Wax now on Shudder, and The Barn II’s indie go-go.